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| Star Wars Episode VI: Return of the Jedi |
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|---|---|
| Director(s) | |
| Producer(s) |
Howard G. Kazanjian |
| Writer(s) |
George Lucas (story) |
| Starring |
Mark Hamill |
| Music by | |
| Distributor | |
| Released | |
| Runtime |
134 min. (theatrical) |
| Budget |
$32,500,000 |
| Language |
English |
| Timeline | |
| Era | |
| Preceded by |
Star Wars Episode V: The Empire Strikes Back |
| Followed by |
None |
Star Wars Episode VI: Return of the Jedi is a 1983 science fantasy film directed by Richard Marquand and written by Lawrence Kasdan and George Lucas. It is the third film to be released in the Star Wars saga, and the sixth and final in terms of internal chronology.
The film is set in 4 ABY, one year after the Empire's occupation of Cloud City, when Luke Skywalker and friends travel to Tatooine to rescue their friend Han Solo from the vile Jabba the Hutt. The Empire prepares to crush the Rebellion with a more powerful Death Star, while the Rebel fleet mounts a massive attack on the space station. Luke Skywalker confronts his father, Darth Vader, in a final climactic duel before the evil Emperor.
The film debuted on May 25, 1983, and was released on VHS and LaserDisc in this form multiple times during the 1980s and 90s. The film was re-released with changes in 1997, and this version was later released on VHS and Laserdisc as well. The special edition arrived on DVD in 2004, but with further updates and changes to the 1997 versions. The original, unaltered version of the film was released as part of a new DVD set in September 2006.
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Shadows of the Empire reveals that construction has begun on a new, Death Star, more powerful than the previous one. At the suggestion of Prince Xizor, Emperor Palpatine allowed the plans to this new station to "fall" into Rebel hands, at a deceptive price. Meanwhile Luke, Leia, Lando and Chewie had already one failed attempt to rescue Han from Boba Fett. In order to reach Xizor, Leia takes the guise of the Ubese bounty hunter Boushh, and Chewbacca is disguised as Snoova.
The Bothan spies discovered that the plans were to be sent in a small computer onboard a fertilizer freighter, the Suprosa. They mounted an attack which proved successful, albeit at the cost of the lives of several Bothans, allowing the plans to find their way to the Alliance, ready to be decoded.
On Tatooine, Boba Fett was successful in delivering Han Solo to Jabba. Luke with Lando, Leia, Chewie and the two droids, prepares one final plan to rescue Han.
Return of the Jedi begins in 4 ABY, one year after the events of The Empire Strikes Back (although the novelization gives the time period as six months).
Darth Vader, Dark Lord of the Sith, lands in the docking bay of an uncompleted second Death Star, which the Empire is creating, and is more powerful than the first. He is greeted by Moff Tiaan Jerjerrod, but demands construction be put back on schedule in order to complete the Death Star on time. Jerjerrod argues that they need more men, but quickly agrees to double their efforts when he learns that Emperor Palpatine is coming.
Meanwhile, 23-year-old Luke Skywalker and his company have arrived on Tatooine in the latest attempt to rescue Han Solo from Jabba the Hutt's desert palace. First the droids, R2-D2 and C-3PO, arrive with a holographic message from Skywalker pleading Jabba to release Solo, but they end up as slaves. That evening, Jabba's Palace Band (led by Sy Snootles and Max Rebo) entertains the slug-like creature's guests. Jabba is captivated by the graceful gyrations of his slave girl Oola. Oola resists his demands and is thrown into the pit of the rancor monster where she is immediately devoured. Suddenly, Princess Leia Organa (in the guise of bounty hunter Boushh) arrives with "prisoner" Chewbacca to collect part of the bounty Jabba himself sought after years earlier when he put a price on Solo's head. Jabba then sends Chewbacca to the prisons. That night, Leia/Boushh releases Solo from his carbonite coffin, only to be overseen by Jabba, his minions, and newly stolen droids. Both Solo and Leia are captured; Solo is put in the prison with Chewbacca while Jabba takes Leia as his personal slave girl, being forced to wear a revealing slave girl outfit and replacing Oola as his personal slave. To Leia's humiliation, she is then chained by the neck to Jabba's throne.
Luke eventually arrives, coming at dawn to make one final plea to Jabba to release Solo, but Jabba rejects the offer. Luke then Force Pulls a nearby blaster, tries to shoot Jabba, but falls into the Rancor pit. Leia unsure of what was happening struggled against Jabba. Luke successfully kills the rancor by crushing it with the gate of its compound and piercing its neck with the spikes at the bottom of the gate, but he too is captured by Jabba's minions. Jabba, furious, strangles Leia. As punishment, Jabba, using C-3PO as a translator, commands Luke and his friends to be destroyed (over a course of a thousand years) by the man-eating Sarlacc at the Great Pit of Carkoon meanwhile Leia is kept on her chain laying in front of Jabba. Only Leia is not sentenced to death, as Jabba was attracted to her, and had plans of gaining pleasure from the enslaved princess.
Luke and his companions (with Lando Calrissian disguised as one of Jabba's prison guards) are taken to the Pit of Carkoon. However, with the help of R2-D2, Luke then retrieves his recently built lightsaber to battle his captors. Solo, by this time blinded from the aftereffects of carbonization, accidentally activates the jetpack of bounty hunter Boba Fett when he turns around and smashes an axe in it. Fett then flies out of control, crashes and falls in the pit to be digested by the Sarlacc. Leia, meanwhile, with chain in hand, strangles Jabba to death. The droids are then set free, and jump off the sail barge. They land in the Tatooinian sand. Luke and Lando kill the remaining captors, then Luke rescues Leia, and both point the guns toward the heart of Jabba's Sail Barge. Luke and company escape with their lives before the gun discharges, destroying the sail barge. All of the crew (except for Luke) depart Tatooine for the rendezvous point near Sullust (mentioned in The Empire Strikes Back) where the Rebel Alliance is assembling, while Luke and R2-D2 (in their X-wing) head for Dagobah to fulfill a promise made some time earlier.
On the Death Star, Emperor Palpatine, alias Darth Sidious, arrives and praises Lord Vader on his efforts in the construction of the Death Star. He also senses that Vader craves for the continuation of his search for his son, Luke. The old Sith Lord assures his apprentice that everything is going as he has planned.
Luke and Artoo arrive on Dagobah to find a terminally-ill Yoda. Luke has returned to complete his Jedi training, but Yoda declares no further training is required. All that remains for Luke is to confront Vader. Yoda then reveals that Vader is indeed his father. The 900-year-old Jedi Master gives one last mention of wisdom to the young Jedi before he dies (and disappears the way Ben Kenobi did in A New Hope, thereby becoming one with the Force).
As Luke approaches his X-wing, the spirit form of Kenobi confirms that Vader was once Anakin Skywalker, a former Jedi Knight who turned to the dark side of the Force. Kenobi also reveals that Luke has a twin sister, hidden from Luke at birth as protection from the Emperor. Luke senses that his sister is actually Princess Leia. Kenobi warns Luke to bury his feelings, for they could in time "serve the Emperor."
At the rendezvous point near Sullust, the Rebel Alliance gathers to reveal plans to attack the Death Star. As part of the plans, Luke, Leia, Solo, Chewbacca, C-3PO, R2-D2, and a strike team must penetrate the shield generator on the fourth moon of Endor in order to deactivate the shield if the Rebel fleet is to attack the Death Star. However, Vader knows this because he could sense that his son was with them and allows them to land on the planet. Luke senses his father as well and begins to believe that he would endanger the mission by coming.
The strike team lands on Endor only to be discovered by scout troopers. A speeder bike chase ensues, only for Leia to be thrown off her speeder and knocked unconscious. Luke and Han discover Leia's helmet, then they, with Chewbacca and the droids, try to find her. Leia is awakened by one of Endor's forest creatures, an Ewok named Wicket W. Warrick. Suddenly, another stormtrooper discovers Leia, but Wicket does away with the trooper before rescuing Leia.
Luke, Han, Chewbacca, and the droids, meanwhile, fall into a booby trap set by the Ewoks. Artoo cuts open the net setting them free, but the Ewok tribe discovers Threepio and proclaims him to be their god. The droid's Human and Wookiee friends are taken prisoner, and the Ewoks proclaim Han to be the main course in a banquet in Threepio's honor. Discovered by Leia, Luke then uses the Force to levitate Threepio to show off his "great magic." Convinced of the Rebels' good intentions, the Ewoks set them free and later that evening makes them "part of the tribe," thereby the Ewoks agree to join the fight against the Empire.
But Luke decides the time has come to leave Endor and face Darth Vader. Leia follows Luke out of the tribal gathering before she is revealed the truth that Vader is Luke's father and Leia is his sister. Leia is utterly speechless and shocked, but is comforted by Solo.
Vader arrives in his shuttle to a docking bay, and Luke, having already surrendered to the Empire, talks with Vader in an attempt to bring the Sith Lord out of the dark side of the Force, but to no avail. The Empire takes Luke into custody for transportation to the Death Star.
The next day, the Rebels attempt to locate the shield generator, and the Rebel fleet enters hyperspace from Sullust to prepare for the final attack.
Luke and Vader finally enter the Death Star and confront the Emperor, who looks forward to completing Luke's training and believes that while Vader would never turn from the dark side, neither would Luke. He also reveals that it was he who coordinated the Rebels finding the secret plans and locating the shield generator so that the Alliance can fall into a trap of Palpatine's devising.
The Rebels enter the heart of the shield generator, only to be taken prisoner by the Imperial forces. The fleet emerges from hyperspace for the battle, but discovers the shield is still up. As they contemplate their options, the Imperial fleet, which they were led to believe was away, appears and an intense battle begins.
Solo and company are led out of the bunker by the stormtroopers, but the droids and the Ewoks have already orchestrated the attack on the Empire, and another intense battle commences with the Rebels and Ewoks on one side, the Empire on another.
Palpatine shows to Luke the full power of the Death Star, and the station, now fully operational, destroys one of the Alliance's ships. Meanwhile, on Endor, the battle continues, with casualties (Rebel, stormtrooper, and Ewok) already mounting. Eventually, Han, Leia, and Chewbacca gain access to the bunker.
On the Death Star, Luke, with the encouragement of Lord Sidious, lashes out at him with his lightsaber, only to be deflected by Vader, and thus the final duel between father and son begins. After a while, Vader stalks for a hidden Luke to let down his guard, while quietly sensing within his son's mind that Luke has a sister. Vader threatens to turn her to the dark side if Luke will not, but Luke responds viciously in intense saber fighting of Djem So, up to the point where Luke strikes off Vader's right mechanical hand (just as Vader cut off Luke's in The Empire Strikes Back). Sidious encourages Luke to kill his father so the young Jedi can take Vader's place at his side. But Luke controls his anger and throws aside his lightsaber. He declares himself to be a Jedi Knight as his father Anakin was before he turned to Darth Vader.
Han, Leia, and Chewbacca escape from the bunker, just in time for its destruction, thus bringing down the shield. The Alliance is now free to attack the half-completed Death Star.
Back on board the Death Star, an enraged Sidious declares that if Luke cannot be turned to the dark side, he will be killed, and uses Force lightning against Luke. He slowly increases the intensity of the lightning, slowly torturing Luke to death. But the sight of seeing Luke dying causes Vader to question his loyalty because of how similar it was to the day he helped Sidious kill Mace Windu. Realizing what his loyalty to Sideous has cost him, Vader finally ceases to exist as Anakin turns on Sidious, lifting the Emperor off his feet with the great strength of his cybernetic right arm, and despite the deadly Force lightning now surging on Anakin, he hurls his former master into a reactor shaft, destroying the Emperor.
The Millennium Falcon and its remaining Rebel fighters enter the bowels of the Death Star, and some fighters engage in a point-blank attack on the Super Star Destroyer, causing the Imperial flagship's destruction.
Back on the Death Star, in the middle of an evacuation, Luke has carried his father's ravaged body to the foot of the former Vader's shuttle. Anakin asks Luke to remove his mask so that he can look upon the face of his son, just for once, with his "own eyes." Anakin's face is revealed to be pale white (from not seeing natural sunlight in 23 years), and his head severely scarred from his duel with Obi-Wan Kenobi (as depicted in Revenge of the Sith). Anakin tells Luke that his son was right, and asks him to tell his sister the same. With that, Anakin Skywalker dies.
The Millennium Falcon and its strike force (in the last Rebel fighter inside) reach the Death Star's main reactor and fire concussion missiles and proton torpedoes at it, causing it to collapse. Luke escapes the Death Star with his father's body and flies out through the flames, and so do Wedge Antilles and the Millennium Falcon before the Death Star explodes.
Seeing the destruction from above, Han senses Leia's love for Luke. He offers to step aside when Luke arrives, but she tells Han that Luke is her brother. After a moment of shock and/or surprise, Han and Leia engage in a passionate kiss.
The Thrawn Trilogy and The Truce at Bakura were the first novels to reveal that the Battle of Endor was by no means the end of the story. The destruction of the second Death Star, the loss of Darth Vader and the Emperor, and the defeat of the Imperial fleet represented a major turning point in the war, however. But immediately following the Rebel's victory, Luke Skywalker and his friends went off to defend the people of Bakura from the deadly incursions of the Ssi-Ruuk invaders threatening to turn their citizens into a slave army. They were but the first, as the post-Return of the Jedi Marvel Star Wars series soon revealed that following a brief respite, the Nagai were to invade, followed on their heels by the Tof invasion. Their final defeat marked the start of the New Republic and the end of outside alien invasions until 25 ABY when the Yuuzhan Vong struck. In the interim, however, there was plenty of Imperial mopping up to do and lots of adventures.
Within five years, well over half of what was Imperial space was under the control of the New Republic. The war continued for another 15 years. The New Republic would be challenged by Imperial commanders, such as Ysanne Isard, Grand Admiral Thrawn, Admiral Daala, and Admiral Pellaeon. The New Republic would even be challenged by the Reborn Emperor—the spirit of Palpatine in a new clone body. But the New Republic would weather all these storms.
Fifteen years after the Battle of Endor Admiral Pellaeon and the other Imperial leaders realized that further military conflict with the New Republic would be fruitless. The remnants of the Imperial forces signed a peace treaty with the New Republic. The decades-long Galactic Civil War was finally over.
Also, after Jabba's death, Luke was held in high respect for deleting all the debts the Hutt posted on his unfortunate undertakers. Zorba the Hutt, Jabba's father, was furious when he heard of his son's demise. He took over Cloud City, and in the long run, posted bounties on whomever was responsible for Jabba's death, primarily Luke Skywalker and his sister, Leia Organa.
| Credit | Name |
|---|---|
| Directed By | Richard Marquand |
| Screenplay By | Lawrence Kasdan George Lucas |
| Story By | George Lucas |
| Produced By | Howard Kazanjian |
| Executive Producer | George Lucas |
| Co-Producers | Robert Watts Jim Bloom |
| Production Designer | Norman Reynolds |
| Director Of Photography | Alan Hume B.S.C. |
| Edited By | Sean Barton Marcia Lucas Duwayne Dunham |
| Visual Effects | Richard Edlund Dennis Muren A.S.C. Ken Ralston |
| Costume Designers | Aggie Guerard Rodgers Nilo Rodis-Jamero |
| Mechanical Effects Supervision | Kit West |
| Make-Up And Creature Design | Phil Tippett Stuart Freeborn |
| Sound Design | Ben Burtt |
| Music By | John Williams |
| First Assistant Director/ Second Unit Director | David Tomblin |
| Casting | Mary Selway Buckley |
| Location Director Of Photography | Jim Glennon |
| Additional Photography | Jack Lowin |
| Production Sound | Tony Dawe Randy Thom |
| Supervising Music Editor | Kenneth Wannberg |
| Music Recording | Eric Tomlinson |
| Orchestrations | Herbert W. Spencer |
| Chief Articulation Engineer | Stuart Ziff |
| Production Supervisor | Douglas Twiddy |
| Production Executive | Robert Latham Brown |
| Unit Production Manager | Miki Herman |
| Assistant Production Manager | Patricia Carr |
| Associate To Producer | Louis G. Friedman |
| Conceptual Artist | Ralph McQuarrie |
| Art Directors | Fred Hole James Schoppe |
| Set Decorators | Michael Ford Harry Lange |
| Property Master | Peter Hancock |
| Chief Hairdresser | Patricia McDermott |
| Stunt Co-Ordinator | Glenn Randall |
| Stunt Arranger | Peter Diamond |
| Production Controller | Arthur Carroll |
| Production Accountant | Margaret Mitchell |
| Second Assistant Directors | Roy Button Michael Steele Chris Newman Russell Lodge |
| Production Assistant | Ian Bryce |
| Production Co-Ordinator | Lata Ryan |
| Co-Ordination Assistants | Sunni Kerwin Gail Samuelson |
| Script Supervisor | Pamela Mann Francis |
| Location Script Supervisor | Bob Forest |
| Location Casting | Dave Eman Bill Lytle |
| Assistant To Mr. Kazanjian | Kathleen Hartney |
| Assistant To Mr. Bloom | John Syrjamaki Ross |
| Assistant To Mr. Lucas | Jane Bay |
| Assistant Art Directors | Michael Lamont John Fenner Richard Dawking |
| Set Dresser | Doug Von Koss |
| Construction Manager | Bill Welch |
| Assistant Construction Manager | Alan Booth |
| Construction Supervisor | Roger Irvin |
| General Foreman | Bill Iiams |
| Construction Foremen | Greg Callas Guy Clause Doug Elliott Stan Wakashige |
| Paint Foreman | Gary Clark |
| Sketch Artist | Roy Carnon |
| Scenic Artist | Ted Michell |
| Decor And Lettering Artist | Bob Walker |
| Set Draftsmen | Reg Bream Mark Billerman Chris Campbell |
| Production Buyer | David Lusby |
| Construction Storeman | David Middleton |
| Operating Cameramen | Alec Mills Tom Laughridge Mike Benson |
| Focus Pullers | Michael Frift Chris Tanner |
| Assistant Cameramen | Leo Napolitano Bob La Bonge |
| Second Assistant Cameramen | Simon Hume Steve Tate Martin Kenzie Michael Glennon |
| Gaffers | Mike Pantages Bob Bremner |
| Aerial Photography | Ron Goodman Margaret Herron |
| Helicopter Pilot | Mark Wolfe |
| Key Grip | Dick Dova Spah |
| Best Boy | Joe Crowley |
| Dolly Grip | Chunky Huse Reg Hall |
| Matte Photography Consultant | Stanley Sayer, B.S.C. |
| Rigging Gaffers | Clark Garland Tommy Brown |
| Chief Make-Up Artists | Tom Smith Graham Freeborn |
| Make-Up Artists | Peter Robb King Dickie Mills Kay Freeborn Nick Dudman |
| Hairdressers | Mike Lockey Paul Le Blanc |
| Assistant Articulation Engineer | Eben Stromquist |
| Armature Designer | Peter Ronzani |
| Plastic Designer | Richard Davis |
| Sculptural Designers | Chuck Wiley James Howard |
| Key Sculptors | Dave Carson Tony McVey Dave Sosalla Judy Elkins Derek Howarth |
| Chief Moldmaker | Wesley Seeds |
| Moldmaker | Ron Young |
| Creature Technicians | Randy Dutra Kirk Thatcher Dan Howard James Isaac Brian Turner Jeanne Lauren Richard Spah, Jr. Ethan Wiley |
| Creature Consultants | Jon Berg Chris Walas |
| Production/ Creature Co-Ordinator | Patty Blau |
| Latex Foam Lab Supervisor | Tom McLaughlin |
| Animatronics Engineer | John Coppinger |
| Wardrobe Supervisor | Ron Beck |
| Costume Supervisor | Mary Elizabeth Still |
| Wardrobe Mistress | Janet Tebrooke |
| Shop Manager | Jenny Green |
| Jeweler | Richard Miller |
| Creature Costumers | Barbara Kassal Edwina Pellikka Anne Polland Elvira Angelinetta |
| Assistant Property Master | Charles Torbett |
| Property Supervisors | Dan Coangelo Brian Lofthouse |
| Property | Holly Walker Ivan Van Perre |
| Propmakers | Bill Hargreaves Richard Peters |
| Master Carpenter | Bert Long |
| Master Plasterer | Kenny Clarke |
| Master Painter | Eric Shirtcliffe |
| Supervising Rigger | Red Lawrence |
| Supervising Stagehand | Eddie Burke |
| Sail Co-Ordinators | Bill Kreysler Warwick Tompkins |
| Sails Engineering | Derrick Baylis Peggy Kashuba |
| Assistant Film Editors | Steve Starkey Conrad Buff Phil Sanderson Nick Hosker Debra McDermott Clive Hartley |
| Sound Effects Editors | Richard Burrow Teresa Eckton Ken Fischer |
| Dialogue Editors | Laurel Ladevich Curt Schulkey Bonnie Koehler Vickie Rose Sampson |
| Assistant Sound Editors | Chris Weir Bill Mann Gloria Borders Suzanne Fox Kathy Ryan Nancy Jencks Mary Helen Leasman |
| Re-Recording Mixers | Gary Summers Roger Savage Ben Burtt Randy Thom |
| Re-Recording Engineer | Tomlinson Holman |
| Boom Operators | David Batchelor David Parker |
| Sound Assistants | Shep Dawe Jim Manson |
| Audio Engineers | T.M. Christopher Catherine Coombs Kris Handwerk K.C. Hodenfield Howie Tom Johnson Brian Kelly James Kessler Susan Leahy Robert Marty Scott Robinson Dennie Thorpe John Watson |
| English Lyrics | Joseph Williams |
| Huttese Lyrics | Annie Arbogast |
| Ewokese Lyrics | Ben Burtt |
| Special Effects Supervisor | Roy Arbogast |
| Special Effects Foreman | William David Lee |
| Special Effects Floor Controller | Ian Wingrove |
| Senior Effects Technician | Peter Dawson |
| Chief Electronics Technician | Ron Hone |
| Wire Specialist | Bob Harman |
| Location Special Effects | Kevin Pike Mike Wood |
| Choreographer | Gillian Gregory |
| Location Choreographer | Wendy Rogers |
| Production Accountant | Colin Hurren |
| Assistant Accountants | Sheala Daniell Barbara Harley |
| Location Accountants | Diane Dankwardt Pinki Ragan |
| Transportation Co-Ordinator | Gene Schwartz |
| Transportation Captains | John Feinblatt H. Lee Noblitt |
| Studio Transportation Managers | Vic Minay Mark La Bonge |
| Location Contact | Lennie Fike |
| Still Photographers | Albert Clarke Ralph Nelson, Jr. |
| Unit Publicist | Gordon Arnell |
| Assistant Publicist | June Broom |
| Research | Deborah Fine |
| Miniature And Optical Effects Unit | Industrial Light And Magic |
| Art Director-Visual Effects | Joe Johnston |
| Optical Photography Supervisor | Bruce Nicholson |
| General Manager, Ilm | Tom Smith |
| Production Supervisor | Patricia Rose Duignan |
| Matte Painting Supervisor | Michael Pangrazio |
| Modelshop Supervisors | Lorne Peterson Steve Gawley |
| Animation Supervisor | James Keefer |
| Supervising Visual Effects Editor | Arthur Repola |
| Effects Cameramen | Don Dow Michael J. McAlister Bill Neil Scott Farrar Selwyn Eddy Iii Michael Owens Robert Elswit Rick Fichter Stewart Barbee Mark Gredell David Hardburger |
| Assistant Cameramen | Pat Sweeney Kim Marks Robert Hill Ray Gilberti Randy Johnson Patrick McArdle Peter Daulton Bessie Wiley Maryan Evans Toby Heindel David Fincher Peter Romano |
| Production Co-Ordinators | Warren Franklin Laurie Vermont |
| Optical Printer Operators | John Ellis David Berry Kenneth Smith Donald Clark Mark Vargo James Lim |
| Optical Line-Up | Tom Rosseter Ed L. Jones Ralph Gordon Philip Barberio |
| Lab Technicians | Tim Geideman Ducan Myers Michael Moore |
| Production Illustrator | George Jenson |
| Matte Painting Artists | Chris Evans Frank Ordaz |
| Matte Photography | Neil Krepela Craig Barron |
| Stop Motion Animator | Tom St. Amand |
| Chief Model Makers | Paul Huston Charles Bailey Michael Glenn Fulmer Ease Owyeung |
| Model Makers | William George Marc Thorpe Scott Marshall Sean Casey Larry Tan Barbara Gallucci Jeff Mann Ira Keeler Bill Beck Mike Cochrane Barbara Affonso Bill Buttfield Marghi McMahon Randy Ottenberg |
| Head Effects Animators | Garry Waller Kimberly Knowlton |
| Effects Animators | Terry Windell Renee Holt Mike Lessa Samuel Comstock Rob La Duca Annick Therrien Suki Stern Margot Pipkin |
| Visual Effects Editors | Howard Stein Peter Amundson Bill Kimberlin |
| Assistant Visual Effects Editors | Robert Chrisoulis Michael Gleason Jay Ignaszewski Joe Class |
| Supervising Stage Technician | Ted Moehnke |
| Stage Technicians | Patrick Fitzsimmons Bob Finley Iii Ed Hirsh John McLeod Peter Stolz Dave Childers Harold Cole Merlin Ohm Joe Fulmer Lance Brackett |
| Pyrotechnicians | Thaine Morris Dave Pier |
| Supervisor-Still Photography | Terry Chostner |
| Still Photographers | Roberto McGrath Kerry Nordquist |
| Electronic System Designers | Jerry Jeffress Kris Brown |
| Electronic Engineers | Mike Mackenzie Marty Brenneis |
| Computer Graphics | William Reeves Tom Duff |
| Equipment Engineering Supervisor | Gene Whiteman |
| Machinists | Udo Pampel Conrad Bonderson |
| Apprentice Machinists | David Hanks Chris Rand |
| Design Engineer | Mike Bolles |
| Equipment Support Staff | Wade Childress Michael J. Smith Cristi McCarthy Ed Tennler |
| Administrative Staff | Chrissie England Laura Kaysen Paula Karsh Karen Ayers Sonja Paulsen Karen Dube |
| Production Assistants | Susan Fritz-Monahan Kathy Shine |
| Steadicam | Garrett Brown |
| Plate Photography | |
| Ultra High Speed Photography | Bruce Hill Productions |
| Color Timers | Jim Schurmann Bob Hagans |
| Negative Cutter | Sunrise Film, Inc. |
| Additional Optical Effects | Lookout Mountain Films Pacific Title Monaco Film Labs California Film Visual Concepts Engineering Movie Magic Van Der Veer Photo Effects |
| Credit | Name |
|---|---|
| Producer | Rick McCallum |
| Editor | T.M. Christopher |
| Sound Designer | Ben Burtt |
| Re-Recording Mixer | Gary Summers |
| First Assistant Editor | Samuel Hinckley |
| Assistant Editor | Robert Marty |
| Assistant Avid Editors | Mike Jackson Robin Lee |
| Sound Editor | Teresa Eckton |
| Assistant Sound Editor | Lisa Storer |
| Re-Recordist | Ronald G. Roumas |
| Digital Mix Technician | Gary A. Rizzo |
| Archivist | Tim Fox |
| Optical Supervisors | Phillip Feiner Chris Bushman |
| Film Restoration Supervisor | Pete Comandini |
| Color Timer | Robert J. Raring |
| Negative Continuity | Ray Sabo |
| Negative Cutter | Bob Hart |
| Special Edition Digital Remastering Provided By Skywalker Sound A Lucas Digital Ltd. Company | |
| Film Restoration Consultant | Leon Briggs |
| Optical Restoration | Pacific Title |
| Film Restoration By | Ycm Laboratories |
| Industrial Light And Magic | |
| Visual Effects Supervisor | Dave Carson |
| Visual Effects Producer | Tom Kennedy |
| Computer Graphics Supervisor | Tom Hutchinson |
| Visual Effects Art Director | George Hull |
| Visual Effects Editor | Michael McGovern |
| Color Timing Supervisor | Bruce Vecchitto |
| Visual Effects Coordinator | Lisa Todd |
| Digital Effects Artists | Don Butler Michael Conte Howard Gersh Marshall Krasser Tia Marshall Stuart Maschwitz Julie Neary Ken Nielsen Eddie Pasquarello Ricardo Ramos Tom Rosseter Lawrence Tan Paul Theren Hans Uhlig Li-Hsein Wei Ron Woodall |
| Digital Matte Artists | Ronn Brown Eric Chauvin Brian Flora William Mather |
| 3d Matchmove Artist | James Hagedorn |
| Digital Paint & Roto Artists | Lisa Drostova Heidi Zabit |
| Chief Creature Maker | Howie Weed |
| Model & Creature Makers | Carol Bauman Don Bies Giovanni Donovan Wendy Morton Anne Polland Mark Siegel Steven Walton |
| Sabre Group Supervisor | Daniel McNamara |
| Sabre Artists | Rita Zimmerman Chad Taylor Mary McCulloch Grant Guenin Caitlin Content |
| Software Research And Development | David Benson Jim Hourihan Zoran Kacic-Alesic Florian Kainz Jeff Yost |
| Digital Scanning Supervisor | Joshua Pines |
| Digital Scanning Operators | Randall Bean Michael Ellis Earl Beyer |
| Negative Supervisor | Doug Jones |
| Negative Line-Up | Andrea Biklian Tim Geideman |
| Projectionist | Tim Greenwood |
| Digital Plate Restoration | Melissa Monterrosa Mike Van Eps Wendy Hendrickson |
| Assistant Visual Effects Art Director | Alex Laurant |
| Assistant Visual Effects Editor | John Bartle |
| Video Editor | Angela Leaper |
| Animatic Artist | Jonathan Rothbart |
| Digital Effects Technical Assistants | Okan Ataman Peter Chesloff Joshua Levine Dawn Matheson Daniel Shumaker |
| Digital Effects Resource Assistant | Daniel Brimer |
| Visual Effects Production Staff | Julie Creighton Joshua Marks |
| Video Assistants | Dawn Martin Wendy Bell |
| Production Engineering | Ken Beyer Ken Corvino Gary Meyer |
| Aerial Camera System By Wesscam Camera Systems (Europe) | |
| Aerial Cameraman Assistant | Ron Goodman Margaret Herron |
| Helicopter Supplied By Dollar Air Services Limited | |
| Pilot | Mark Wolfe |
| Cloud Plates Photographed With Astrovision(c) By Continental Camera Systems Inc. Snow Vehicles Supplied ByAktiv Fischer R2 Bodies Fabricated By White Horse Toy Company Special Assistance From Giltspur Engineering And Compair Photographed On The Hardengerjekulan Glacier, Finse, Norway And At Emi - Elstree Studios, Borehamwood, England Music Recorded At Anvil Studios, Denham, England Re-Recording At Samuel Goldwyn Studios, Los Angeles, California Special Visual Effects Produced At Industrial Light And Magic, Marin County, California |
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The film's director was the late Richard Marquand, who passed away in 1987 of a heart ailment, but reports have suggested that George Lucas was still heavily involved in the shooting of Return of the Jedi and likely directed some of the second unit work personally when shooting threatened to go over schedule. Lucas admits in the documentary Empire of Dreams that he had to often be on the set due to Marquand's relative inexperience with special effects, but comments by The Empire Strikes Back director Irvin Kershner on that film's DVD audio commentary track suggests that Lucas, who acted more as an advisor on The Empire Strikes Back, had a similar role on the production of Return of the Jedi. Moreover, George Lucas, according to Kershner, called The Empire Strikes Back Kershner's movie, not his.
Some have noted the differences between Richard Marquand's direction style and Lucas's direction style and say that they're dissimilar. The screenplay was written by Lawrence Kasdan and Lucas (with uncredited contributions by David Webb Peoples), based on Lucas's story. Howard Kazanjian served as producer.
The documentary Empire of Dreams states that George Lucas initially intended to call the film Return of the Jedi, but then changed it to Revenge of the Jedi when he was told by Lawrence Kasdan that "Return" was a weak title. Only a few weeks before the film's release did Lucas change the title back to Return of the Jedi. In interviews, Lucas said that the reason for the change is that a Jedi wouldn't seek revenge. There are many though who speculate that George Lucas had planned to call the film Return of the Jedi all along, and only used "Revenge" as a means to throw off merchandise counterfeiters. It has also been claimed that the reason for the change was because the working title of Star Trek II: The Wrath of Khan was The Vengeance of Khan, and that the title was changed because of its similarity to Revenge of the Jedi. In the novel William Shatner's Star Trek Movie Memories, director Nicholas Meyer confirmed that he didn't believe that 20th Century Fox would allow Paramount to change his film's title from "The Undiscovered Country" to "The Vengeance of Khan" because of the making of Revenge of the Jedi. Nevertheless, all of this potential controversy was erased when Star Trek II was retitled "The Wrath of Khan" and Revenge of the Jedi finally became Return of the Jedi. In any event, the working title was partially reused for Episode III: Revenge of the Sith.
For several reasons, the working title of the project was Blue Harvest and dubbed "Horror Beyond Imagination" to engender no interest whatsoever in order to disguise what the production crew was really filming from fans and the prying eyes of the press. George Lucas had severed all his remaining ties to the Hollywood system out of a feeling of persecution after the success of The Empire Strikes Back and had become a truly independent filmmaker. Lucasfilm is a non-union company, and despite George Lucas's stature and clout, that, says Howard Kazanjian in Empire of Dreams, made acquiring shooting locations more difficult and more expensive, even though A New Hope and The Empire Strikes Back were mammoth hits.
Filming took place from January 11 to May 20, 1982 in Redwood National Park forests in California, the Yuma desert in Arizona, and at the Elstree Studios, United Kingdom.
A serious wardrobe problem was present in the film in that all Imperial characters, regardless of rank, are shown wearing identical rank insignia, being that of an Imperial Navy Commander. This was not recognized by the production staff until halfway through the film's shooting and the error remained uncorrected in the final version of the film.
Major musical themes:
With a massive worldwide marketing campaign, Star Wars series artist Drew Struzan created the iconic and distinctive images for the movie posters and other advertising.
While critical reception of the film was generally positive, Return of the Jedi is considered by some critics and many fans as the weakest film of the original trilogy. Some indication of public opinion can be gleaned by its relatively modest 109th place ranking in the Internet Movie Database's Top 250 films list. As a comparison, A New Hope is ranked at #12, and The Empire Strikes Back is ranked #9, as of September 18, 2008.
While the entire Jabba the Hutt sequence and the action set pieces, particularly the breathtaking speeder bike chase on the Endor moon, the space battle between Rebel and Imperial pilots, and Luke Skywalker's duel against Darth Vader are well-regarded, the ground battle between the Ewoks and the Stormtroopers remains a bone of contention. A large number of fans believe George Lucas pushed the "cutesy" factor with the Ewoks. However, fans seem to be rather divided on the premise that an extremely primitive race of small creatures could, albeit with minimal aid, defeat an armed ground force comprising the Empire's best troops. Some fans call it ludicrous, while others credit the Ewoks' bravery, ingenuity, and determination, and draw comparisons between modern warfare in which familiarity with the terrain and guerrilla tactics can results in the defeat of a numerically and technologically superior force.
However, contemporary critics seem to have been largely complimentary. In 1983, Roger Ebert gave the film a four-star rating, and Gary Arnold of the Washington Post described Return of the Jedi as "a triumph."
In Star Wars Episode II: Attack of the Clones and Star Wars Episode III: Revenge of the Sith, Anakin Skywalker is played by Hayden Christensen. However, in the original and Special Edition version of Return of the Jedi, a much older actor named Sebastian Shaw played both the dying Anakin Skywalker and his Force ghost. In the DVD release, Anakin's ghost has become a young man, played by Hayden Christensen, and this is considered the canon version of the ghost.
Lucas explains in the DVD commentary that Anakin has learned to control his life force beyond death, just as Obi-Wan Kenobi and Yoda had before him. (This is very briefly explained in Revenge of the Sith). So rather than appear as the older man who was Darth Vader, Anakin is able to return to the young man he once was before turning to the dark side.
The basic controversy arises from critics of Lucas's ongoing changes to all of the Star Wars films. On one hand, the redemption of Luke's father as an older man suggests that this is the image that should represent him after death. On the other, the older man was arguably never Anakin Skywalker until his final moments, and the vision of Hayden Christensen brings the story full circle - Darth Vader defeated, Anakin Skywalker at rest. Many fans argue that the insertion of Christensen is disrespectful toward Shaw.
![]() The 1995 VHS Edition |
![]() The 1997 Special Edition |
![]() The 2004 DVD Edition |
![]() The 2006 Unaltered Edition |
As with the other two films of his original trilogy, Lucas issued a Special Edition of Return of the Jedi in 1997, making a number of cosmetic changes and additions, including replacing a piece of music from the closing scene.
On September 21, 2004 the three original movies were finally released on DVD. There have a few further minor changes to the film on this release—such as sound effects and improvements to the visual quality of the film.
During the sequence when the Emperor's defeat at Endor is announced to the galaxy, an additional scene showing the celebrations on Theed, Naboo was shown. A Gungan can be heard yelling "Wesa free" in this scene.
In the scene showing the people of Coruscant celebrating, the Senate Building and the Jedi Temple have been added in the background.
Sebastian Shaw played Anakin in the hangar bay and in the final celebration scene in the original film. In the DVD release, Shaw continued to be Anakin in the hangar bay scene. Look closely and you will see that Shaw's bushy eyebrows have now been digitally removed. However, during the final celebration, Shaw was replaced by Hayden Christensen. In this release Anakin appeared as he did in Episode III. Instead of simply reshooting the Force ghost of Anakin with Hayden, test footage of Hayden's head was digitally grafted to the body of Sebastian Shaw playing the role. Thus, Anakin is seen wearing the robes of a Jedi Master, even though he did not achieve that rank in reality (though some might argue that he changed to a Master upon being redeemed by Luke). This has been retconned by saying that because Force ghosts are spirits, they may appear however the Force allows them to.
On September 12, 2006, Lucasfilm released a two-disc set consisting of the 2004 Special Edition and the unaltered original theatrical version. This release lasted until December 31, 2006.
With the release of the third episode that depicts how and why Anakin Skywalker turned to the dark side of the Force, George Lucas once again altered Return of the Jedi to strengthen the relationship between the original trilogy to the prequel trilogy.
The novelization of Return of the Jedi was written by James Kahn. While it contains many scenes that were deleted from the final cut, with the release of Episode III, Kahn's assertion that Anakin Skywalker's memories of "lava crawling up his back" have proved to be in error. In the novelization of Return of the Jedi, Obi-Wan Kenobi recounts to Luke Skywalker that he and Anakin Skywalker had battled and that his father "fell into a molten pit."
The novelization also erroneously refers to Owen Lars as Obi-Wan Kenobi's brother. Owen Lars is, in fact, Anakin Skywalker's step brother.
At the beginning of the confrontation in Palpatine's throne room, the Emperor reads Luke's mind and discovers that Yoda completed Luke's Jedi training, and that Yoda is now dead. However, he gives no sign of recognition on hearing Yoda's name.
A radio drama adaptation of the film was written by Brian Daley and was produced for and broadcast on the National Public Radio in 1996. While the first two Star Wars movies were adapted for radio in the early 1980s, but it was not until 1996 that a radio version of Return of the Jedi was heard. See Star Wars (radio) for details.
The film was adapted into comics form by Marvel Comics. Unlike the earlier film adaptations, it was not released as part of the ongoing Star Wars series, but as a four-part (1 2 3 4) mini-series of its own. The adaptation was scripted by Archie Goodwin and illustrated by Al Williamson.
A manga adaptation illustrated by Shin-Ichi Hiromoto was released in Japan in 1998 and in the United States in 1999.
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