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| Only Human | |
| Series: | Doctor Who - BBC New Series Adventures |
| Release Number: | 5 |
| Doctor: | Ninth Doctor |
| Companions: | Rose Tyler Captain Jack Harkness |
| Enemy: | Chantal Osterberg The Hy-Bractors |
| Setting: | |
| Author: | Gareth Roberts |
| Publisher: | BBC Books |
| Publication: | September 2005 |
| Format: | Hardcover book, 254 pages |
| ISBN: | ISBN 0-563-48639-2 |
| Previous Story: | The Deviant Strain |
| Following Story: | The Stealers of Dreams |
Contents |
Somebody's interfering with time. The Doctor, Rose and Captain Jack arrive on modern-day Earth to find the culprit -- and discover a Neanderthal Man, twenty-eight thousand years after his race became extinct. Only a trip back to the primeval dawn of humanity can solve the mystery.
Who are the mysterious humans from the distant future now living in that distant past? What hideous monsters are trying to escape from behind the Grey Door? Is Rose going to end up married to a caveman?
Caught between three very different types of human being -- past, present and future -- the Doctor, Rose and Captain Jack must learn the truth behind the Osterberg experiment before the monstrous Hy-Bractors escape to change humanity's history forever...
| Ninth Doctor Adventures series |
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| The Clockwise Man • The Monsters Inside • Winner Takes All • The Deviant Strain • Only Human • The Stealers of Dreams |
Only Human was a screenplay in development by the Jim Henson Company and Columbia TriStar in 2001. Written by Ken Kaufman, the concept was an inversion of the Superman mythos. A human family, convinced that the Earth is doomed, send their baby into space for safety. The child lands on a planet where everyone else possesses superpowers.
The logline as listed in Baseline Studio Systems is as follows:
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As the world nears destruction, an earthling baby is sent to live on Superman's home planet, Krypton.
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David H. Steinberg was later brought in for rewrites, but the project has yet to see the light of day.
| The Transformers > Season 3 > Episode 23 | |||
| Previous episode | Next episode | ||
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When several Autobots interfere with his "business", a powerful crime lord has their minds placed into synthoid bodies, with the help of the strangely familiar "Old Snake".
Japanese title: "Human Transformer"
Contents |
Tired of the Autobots interfering with his operations, crime lord Victor Drath contacts the mysterious Old Snake who apparently ran some kind of terrorist organization in the past. Drath purchases Old Snake’s assistance and technology and after trapping the Autobots Rodimus Prime, Ultra Magnus, Arcee and Springer, he transfers their minds to newly created synthoid human bodies. He has the human Autobots taken away to be disposed at the junk yard, while the Autobots’ former robot bodies are adapted so that Drath’s men can operate them. However, the human Autobots escape the crusher in time and hide.
After realizing what has happened to them, the four Autobots split up to try to regain their robot forms while avoiding Drath’s men. Rodimus, spotted and nearly killed, takes refuge with Drath’s girlfriend Michelle who seems to show sympathy for him at first but later turns him in to Drath at his house. Arcee makes it to Autobot City, but security doesn’t believe her story and instead places her in detention. Springer and Ultra Magnus manage to snag Springer’s old body from Drath’s troops but are unable to regain the other three. Drath hurries and sends Rodimus, Ultra Magnus and Arcee’s former bodies to drive into Metroplex and detonate explosives to kill the rest of the Autobots. Luckily, Rodimus breaks free of his captors and apprehends Drath. Old Snake gets away, though.
Springer and Ultra Magnus fly Springer’s robot form to catch up with the other three Autobots en route to Metroplex. Knowing that the Autobots in the city won’t realize three Trojan horses are coming until it’s too late, Ultra Magnus tells Springer to attack the city himself. Firing on Metroplex before they arrive, Blaster has time to activate the city’s defenses and waylay the oncoming Autobots.
Later, after the Autobots have put together the pieces, Perceptor rigs the equipment at Drath’s former hideout and transfers Rodimus Prime and the other’s minds back to their rightful place. When asked about their adventure, Rodimus gives extra consideration to Michelle as she’s led away along with Drath’s other men. Meanwhile, safely away, Old Snake muses to himself how they just don’t make terrorists like they used to. He also tries to yell out the rallying cry of his former organization but breaks down into coughing, so it’s absolutely impossible to tell what group he used to run.
Original airdate: ???
Written by: Susan K. Williams
(Numbers indicate order of appearance.)
| Autobots | Humans |
|---|---|
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Guests
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"Yer "trash" got up an' took a hike before I could squash 'em!"
"The Path to True Humanity! Only $4.95, tax deductible!"
[Springer shoves him aside]
"Sorry, pal, I'm a robot at heart. ...Terrific. I already need a shave."
Springer: "Need a hand? I, uh... operate heavy equipment."
Goon #1: "Uh... yeah."
Goon #2: "But dere's only room for two in here!"
[#1 boots #2 out the hatch]
Goon #1: "Yeah! Yer right!"
"Don't think for a moment that I haven't the nerve to use this -- I have!"
"What's this?"
"It's called breakfast, dummy."
"Mph. Smells better than it tastes."
"Snake pointed out to me a problem with eliminating only the four of you... namely, an entire city of Autobots who might be tempted to vengeance. I believe in solutions, not problems. You can watch the destruction of Metroplex before you die."
"Well, did you enjoy your sojourn, Rodimus?"
"Maybe a little too much, Perceptor."
"Poor Mr. Drath. Not quite smart enough, were you? They simply don't make terrorists like they used to! COOOOOBRA-ha-*hackcoughcoughcough*"
In general, this episode is really rushed, story-wise. Scenes are raced through at a pretty break-neck pace, and on the whole, there's a tremendous sense of the episode having to hold back from actually doing anything with the potential-laden concept of the Autobots becoming human. Many of the ideas in the episode only seem half-developed, and what few subtleties do manage to break through the constant hurtle towards the final scene are often blunted by the complete lack of even just a reflective second or two to let them sink in. The episode really cries out to be a two-parter, which is a real shame, since the annotations for the episode included amongst the original documentation featured on Metrodome's DVDs suggest that the production staff were really excited and enthusiastic about it.
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